Female Song Tradition and the Akan of Ghana by Kwasi Ampene. Ashgate Publishing Ltd. (2005) ISBN-10: ‎0754631478. 6 3/8" x 9 1/2" xxiv, 234 pages Hardcover with dust jacket and cd. CD: Has been opened but appears to have no blemishes. I have not played it. DUST JACKET: Light edge wear. Light bumping to the top of the dj. Light surface wear to the dj. Otherwise, no unusual folds or creases. No tears. No clips. No missing pieces. Not price-clipped but with no published price BOOK: Maybe light cover edge wear. Otherwise, no previous owner markings. No tears, folds or creases to pages. Binding is tight with no looseness to pages. Not ex-library, not remaindered and not a facsimile reprint. For sale by Jon Wobber, bookseller since 1978. JH31a

"Ampene is to be commended for this excellent contextual analysis of nnwonkoro (female song tradition) among the Akan of Ghana...it is written in clear prose that makes it broadly accessible. Ethnomusicology scholars in particular will find it a model of 'reflective' theory...Highly recommended.’ Choice ’It is a significant work for scholars interested in compositional processes, particularly within oral traditions.’ Journal of Folklore research ’... full of many useful analytical insights, and leaves the door open for future investigators... Much applause and accolade for Ampene's genius, musical and analytical creativity. This text will definitely inspire new and daring approaches to the study of African music.’ Research in African Literatures ’Kwasi Ampene has done ethnomusicological work of high standard. Although the bulk of the book is a finely detailed treatment of Nnwonkoro songs, Ampene nicely contextualizes the music with ample information about specific individuals and Asante society, culture and recent history... Ampene is to be commended for undertaking detailed musical discussion, which is not always present in ethnomusicological work... In this fine book Kwasi Ampene has comprehensively mediated into cosmopolitan form this important contemporary African tradition. His culturally attuned interpretation enables music scholars to use it for comparative analysis, and music lovers to appreciate it as an aesthetically rich experience." - Journal of the American Musicological Society